Gilmour, David - Ippodromo del Visarno, Firenze, Italy (2-source stereo RMCH) |
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Recorded at the Ippodromo del Visarno, Firenze, Italy. Excellent matrix of 2 audience recordings. From the info file: David Gilmour 2015-09-15 Ippodromo del Visarno Florence, Italy Taper 1: Andrea82 Source: Sound Professionals SP-CMC-8 > SP-SPSB-10 > Tascam DR-2d > WAV 24 bit 48 Khz. Transfer: Amadeus Pro (tracking, fade in/out) > Sony Sound Forge Pro (Resample and Bit Depth 44.1-16) > xACT (flac). Location: 9th center row. Taper 2 :BNZ Lineage : AT943 - SP-SPSB-11 (Bass Roll-off at 107 HZ) - Edirol R09 at 16 bit 44.1 Khz Transfer : SD card > SDslot > PC > Audition CC 2015 > 7 db up > Cdwave > FLAC (8) Location : Row 10, centre (more on right side than taper 1). Band: David Gilmour - guitar, vocals Phil Manzanera – guitar Guy Pratt – bass Jon Carin – keyboards Stevie DiStanislao – drums, percussion Kevin McAlea – keyboards Theo Travis – saxes, clarinet Bryan Chambers - backing vocals Louise Marshall – backing vocals Set List 01 5 A.M. 3:54 02 Rattle That Lock 6:06 03 Faces Of Stone 7:27 04 Wish You Were Here 5:17 05 A Boat Lies Waiting 4:41 06 The Blue 6:32 07 Money 7:11 08 Us And Them 8:01 09 In Any Tongue 7:25 10 High Hopes 9:10 11 Astronomy Domine 5:21 12 Shine On You Crazy Diamond Parts I-V 10:54 13 Band Introduction 1:53 14 Fat Old Sun 6:50 15 Coming Back To Life 7:28 16 On An Island 7:23 17 The Girl In The Yellow Dress 6:12 18 Today 6:29 19 Sorrow 10:42 20 Run Like Hell 7:16 21 Encore Break 2:54 22 Time 5:18 23 Breathe (Reprise) 1:15 24 Comfortably Numb 8:21 Total Time: 154:00 (2:34:00) Remaster 01. Repair clipping, source 1 02. Re-balance frequencies/EQ, each source 03. Many high amplitude claps during music were removed or attenuated, each source 04. Clicks and microphone bumps were numerous and removed or repaired, each source 05. Reduce audience chatter, yells and whistles where needed 06. Balance corrected, each source 07. Patch missing sections, each source 08. Sync sources 09. Combine sources to create stereo field 10. Correct phasing and center sound field 11. Adjust dynamics 12. Track Notes: Set 1: 65:44. Set 2: 88:16 Given both tapers in the first center seats, sound is very detailed and up front. Some yells were recorded clearly by one taper but not the other suggesting a meaningful separation of the tapers. First tour performance of Coming Back To Life. Uncommon guitar improv during Money. |