| Pink Floyd - Wembley 1974 (DTS) |
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| Notes |
| Recorded at the Empire Pool, Wembley, Middlesex, England. Surround mix created from the original pre-broadcast BBC master tapes (front) and an audience recording (back). From the info file: Pink Floyd Empire Pool Wembly, London, UK November 16, 1974 DTS-Audio-CD 5.1 Mix 01 [02:08] Speak To Me 02 [03:02] Breathe 03 [05:04] On the Run 04 [06:35] Time 05 [06:48] The Great Gig In The Sky 06 [08:14] Money 07 [07:46] Us And Them 08 [07:42] Any Colour You Like 09 [03:39] Brain Damage 10 [02:05] Eclipse Encore 11 [23:28] Echoes TT [76:31] --------------------------------------------------------- Source Info SBD Pre FM Master Reel (SBD) > DAT > ? > SHN Recorded by BBC Radio One broadcasted on the Alan Freeman Show on 11th January 1975. This is taken from the original pre-broadcast master tapes. AUD Unknow AUD Recording > ? > DAT > SHN This is likely off cassette masters. --------------------------------------------------------- Tech Notes SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch the SBD & AUD sources. CEP2.0 used to adjust the volume for the SBD, AUD, center and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by dan@am-dig.com - FLAC conversion 01-APR-2005 - Artwork by dan@am-dig.com 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim single jewel case. - Special thanks to Swingin' Pig and the 30th Anniversary Edition for many of the fabulous images used to create the artwork. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel Pre FM (SBD) Reel Right Channel Pre FM (SBD) Reel Center Mixed to mono -6db SBD+AUD Matrix Surround Left Channel -2db Unknown AUD Right Channel -2db Unknown AUD Sub/LFE Mixed to mono -4db Pre FM (SBD) Reel --------------------------------------------------------- Notes The quieter portions AUD recording were quite a bit louder than The Pre FM (SBD). I reduced the AUD by -2db in the rear channels. In my experience louder rear channels is an undesirable effect. d1t01 The line 'I've been mad for fucking years' in Speak To Me was removed from the Pre FM (SBD) source. This was not cut out as the length of the song was still the same as the AUD. I tried a number of edits to mix that line from the AUD into the SBD source. I could not come up with an edit I considered smooth. I was able to perform the same edit of this line on the AUD source with a smooth and natural result. So this line has been removed from both the SBD and the AUD source. This is smooth and most likely undetectable. d1t05 The Pre FM (SBD) source was missing 3.875 seconds between The Great Gig In The Sky and Money. The AUD was the trimmed accordingly to match. Being at the repetitive portion on the end of the song, this is smooth and most likely undetectable. d1t08 The AUD source cuts at 41:07.515 and is missing 1:36.33 of Any Colour You Like. I used the Pre FM (SBD) source mixed with a repeating crowd cheer portion from the AUD recording to add depth. I then applied a 1:46.333 patch with 5 second crossfades on each end. The result is good but as this is a source change it is still somewhat noticeable. d1t09 You can get a good feel for the effect of sound travel during the line 'The lunatic is on the grass.'. The sound travel results in a small echo on the AUD source and can be heard in the rear channels on the 5.1 and the matrix mix. This is very interesting. d1t10 The Pre FM (SBD) has a long portion of cheering and tuning prior to the encore Echoes. Unfortunately this was missing from the AUD source. The SBD was trimmed to match and both sources has multiple edits, mixing and crossfades were performed to keep the flow btwn the last song and the encore sounding as natural as possible. The result was good and this is smooth and most likely undetectable. If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you? --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from .shn files. --------------------------------------------------------- FLAC fingerprint pinkfloyd1974-11-16-dts-t01.flac:b25b03a329113dcaaa047ccaa5c9ad7b pinkfloyd1974-11-16-dts-t02.flac:2e70d9d305be6697a6db79548d665623 pinkfloyd1974-11-16-dts-t03.flac:d7880c524db15dd43e5cc25d3370e632 pinkfloyd1974-11-16-dts-t04.flac:a7b0a7699504f0983bcb3ce94bc5cd90 pinkfloyd1974-11-16-dts-t05.flac:354ff7d6614044f894698d677c5c737b pinkfloyd1974-11-16-dts-t06.flac:bad6829e3b2b9a367954ebed8690e75a pinkfloyd1974-11-16-dts-t07.flac:4bad6f3f1f90e5b66afd0ec341ffef51 pinkfloyd1974-11-16-dts-t08.flac:91ecf5b25e6cf46b1dc12967f69529dd pinkfloyd1974-11-16-dts-t09.flac:40deedb88084a4c086ee0ca25b91f382 pinkfloyd1974-11-16-dts-t10.flac:c45f2cb1424c9561954a3e0370fd5556 pinkfloyd1974-11-16-dts-t11.flac:cdd3560809d0516702c09e1d1a383d13 |