| Pink Floyd - A Tree Full Of Secrets |
|
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Notes |
| Huge compilation of Pink Floyd rarities. Just have a look at the info file. :) I got this from (someone close to) (one of the) compiler(s), on 17 audio discs and 1 data disc. I ripped the audio discs with EAC (secure with offset correction) and used Trader's Little Helper to encode the files to flac and generate flac fingerprint files. From the info file: A TREE FULL OF SECRETS the definitive Pink Floyd rarities compilation Introduction On 18 CDs (yes, eighteen!) you'll find all the A and B sides of all the Pink Floyd singles, all the promo, edited, obscured, or remixed versions, and all the soundtracks bits of your favorite Pink Floyd and solo tracks. Basically, this collection includes (nearly) all songs officially released, but not on regular album (compilations, singles, promos, soundtracks...), as well as rare versions from acetates and studio outtakes. We didn't consider live tracks (concerts, radio or TV appearances), unless they're part of a single or a promo single. We also left out of this scope the Syd Barrett solo rarities, because it mainly consists in slightly different mixes of regular versions (we'd like to let a more hardcore fan than we are, doing the job). Some other things are not included, mainly because they could be treed separately, as a whole entity: 'Live At Pompeii' and 'The Wall' soundtracks, mono editions of albums ('The Piper At The Gates Of Dawn', 'A Saucerful Of Secrets'), quadraphonic editions of albums ('Atom Heart Mother', 'The Dark Side Of The Moon', 'Wish You Were Here')... There are in fact 17 audio CDs and one data CD. This latter CD contains all the artworks and booklets (with all you ever dreamt to know about each track of each CD!), and some bonus files (that we hope you'll enjoy) while keeping the secret about their contents. We tried to make the most definitive Pink Floyd rarities compilation, in both completeness and sound quality. For each track, we tried to find the best sounding version available. As a result, we're proud to say that a lot of tracks sound better than any other version available elsewhere. Rules What we mean with the word 'rarity': 1) Song officially released, but not on regular albums (compilations, singles, soundtracks...) [1] 2) Alternate mix (acetate...) 3) Outtake from unreleased studio session 4) Demo [1] with an exception for the stuff being a part of a whole 'entity' (most of them are available separately, as other projects). For instance, the following stuff is not included: - 'Live At Pompeii' soundtrack - 'The Wall' soundtrack - mono 'Piper At The Gates Of Dawn', 'A Saucerful Of Secrets' - quadraphonic 'Atom Heart Mother', 'Dark Side Of The Moon', 'Wish You Were Here' - 'Delicate Sound Of Thunder' video - 'P*U*L*S*E' video 'Chronological' rules for tracklist: 1) tracks are sorted by recording date, not release date [2] 2) different versions of the same track with same recording date are sorted by release date [3] 3) singles from the same album are listed in the same order than on the album [4] [2] with an exception for the demos, placed before the actual release, to save 'continuity' and to hear how the song evolved from the demo to the released version. [3] if the release date is the same or unknown, the versions are sorted from the most 'usual' to the most 'unusual': single version -> extended version -> promo version [4] unless the recording dates are known with precision for each track (in this case, see rule nr.1) Contents There are in fact 17 audio CDs and 1 data CD. This latter CD contains all the artworks and booklets, and some bonus files. Now, how are all these tracks organized into 17 audio CDs? The first 8 CDs contain the Pink Floyd rarities (from 1965 to 1994). The next 6 CDs contain the soundtracks (from Pink Floyd and members). The last 3 CDs contain the solo members rarities. The 17 CDs are split into 9 volumes (each volume is a 2 CD set, except volume 9, which is a single CD). So, there are 9 different artworks, and the whole Rarities compilation will take the place of 9 jewel boxes in your CD collection. Volume 1 (CD1 - CD2): Pink Floyd Rarities 1965 - 1968 All the available versions of the 'early singles' (mono, fake stereo, stereo, acetate, promo edit), rare studio outtakes ('Let's Roll Another One', 1967 Abbey Road studio sessions...), superb versions of the unreleased 'Scream Thy Last Scream'/'Vegetable Man' single, rare promo versions of 'Remember A Day', 'Let There Be More Light' and 'Corporal Clegg'. Volume 2 (CD3 - CD4): Pink Floyd Rarities 1969 - 1973 Songs from 'Ummagumma' era, 'Moonhead', rare Italian single 'In Concerto', 'One Of These Days' demos, 'One Of These Days'/'Fearless' promo single, Roger The Hat interview and a whole CD (CD4) dedicated to the 'Dark Side Of The Moon' rarities (single versions, promo edits, rough mixes, demos, outtakes), compiled in the same order as the album (from 'Breathe' to 'Eclipse'). Volume 3 (CD5 - CD6): Pink Floyd Rarities 1974 - 1983 Rarities from 'Wish You Were Here' era (mainly 'Shine On You Crazy Diamond', 7 different versions!), 'Animals', 'The Wall', 'The Final Cut', without forgetting the 1981 version of 'Money' and 'When The Tigers Broke Free'/'Bring The Boys Back Home' single. Volume 4 (CD7 - CD8): Pink Floyd Rarities 1987 - 1994 All the post-Waters Pink Floyd rarities: singles and promo CDs from 'A Momentary Lapse Of Reason', 'The Division Bell' and 'P*U*L*S*E'. Volume 5 (CD9 - CD10): Soundtracks 1966 - 1969 Soundtrack from 'San Francisco', 'Tonite Let's All Make Love In London', 'The Committee' (excellent source directly from the film!), 'More' and 'Zabriskie Point'. Volume 6 (CD11 - CD12): Soundtracks 1970 - 1988 Soundtrack from 'The Body' (Roger Waters and Ron Geesin), 'La Vallee' (Pink Floyd), 'Magritte' (Roger Waters), 'The Hit' (Roger Waters and Eric Clapton), 'When The Wind Blows' (Roger Waters), 'White Of The Eye' (Nick Mason and Rick Fenn). Radio ads for 'Live At Pompeii' are also included. Volume 7 (CD13 - CD14): Soundtracks 1992 - 1999 Soundtrack from 'La Carrera Panamericana' (Pink Floyd), 'Ruby Takes A Trip' (David Gilmour), 'The Art Of Tripping' (Divid Gilmour), 'The Colours Of Infinity' (David Gilmour), 'The Dybbuck Of The Holy Apple Field' (Roger Waters) and 'La Leggenda Del Pianista Sull Oceano' / 'Legend Of 1900' (Roger Waters). Volume 8 (CD15 - CD16): David Gilmour and Roger Waters Rarities Jokers Wild (featuring a very young David Gilmour) mini LP from 1965, singles from 'David Gilmour' and 'About Face' solo albums, and all the Roger Waters rarities (from 'The Pros And Cons Of Hitch Hiking' to 'Amused To Death'), including Waters's song 'Incarceration Of A Flower Child' performed by Marianne Faithfull. Volume 9 (CD17): Rick Wright and Nick Mason Rarities Rarities from Zee (Rick Wright and Steve Harris), Rick Wright's 'Broken China' promo CD and extended version of 'Lie For A Lie', from Nick Mason and Rick Fenn, featuring David Gilmour on vocals. CD1 1 - Lucy Leave (uncredited) 02:51 2 - I'm a King Bee (written by Moore recorded by Slim Harpo) 03:03 Recorded : London, Thompson Recording Studios, May 15, 1965 Primary source : EMIdisc acetate Source for the tree : 'A Fish out of Water' RoIO CD & 'Outtakes from Outer Space' RoIO CD These two (unreleased) songs appear on a two-sided 7' acetate discovered early 1988. Whilst some experts consider this as a fake, Miles reproduces in his book a setlist including 'Lucy Leave' for the gig the band played on October 14, 1966. 3 - Let's Roll Another One (Barrett) 03:09 Recorded : London, Thompson Recording Studios, October 31, 1966 Primary source : ? Source for the tree : unkown gen copy from outtake Instrumental rehearsals for this song that later became 'Candy and a Current Bun'. This obscure outtake probably comes from the October 1966 session at Thompson Recording Studios (where the first studio version of 'Interstellar Overdrive' was also recorded, and later used in the 'San Francisco' movie). 4 - Arnold Layne (Barrett) - acetate 02:34 Recorded : London, Sound Techniques Studios, January 23-25, 1967 Primary source : EMIdisc acetate Source for the tree : 'Anthology II' RoIO CD Fades in 2 seconds after the actual start, strange edit skipping organ solo. 5 - Arnold Layne (Barrett) - mono 02:53 Recorded : London, Sound Techniques Studios, January 23-25, 1967 Primary source : 'Arnold Layne' single (1st single), released March 11, 1967 Source for the tree : 'The Pink Floyd Early Singles' CD 6 - Arnold Layne (Barrett) - fake stereo 02:51 Recorded : London, Sound Techniques Studios, January 23-25, 1967 Primary source : 'The Best of the Pink Floyd' compilation, released 1970 & 'Masters of Rock' compilation, released 1973 Source for the tree : 'Works' CD 7 - Candy and a Current Bun (Barrett) - acetate 01:59 Recorded : London, Sound Techniques Studios, January 23-25, 1967 Primary source : EMIdisc acetate Source for the tree : 'Anthology II' RoIO CD Alternate lyrics ('please just walk with me' while on the regular single version it's 'please just f*** with me'), different verse structure, no organ and guitar solos. Some people refer to this version as being 'Let's Roll Another One' from October 1966 sessions at Thompson Recording Studios, but since the instrumental tracks are the same as the regular single version, this probably comes from the same January 1967 sessions at Sound Techniques Studios. 8 - Candy and a Current Bun (Barrett) - mono 02:43 Recorded : London, Sound Techniques Studios, January 23-25, 1967 Primary source : 'Arnold Layne' single (1st single), released March 11, 1967 Source for the tree : 'The Pink Floyd Early Singles' CD 9 - Interstellar Overdrive (Barrett, Waters, Wright, Mason) - demo 06:57 Recorded : ? Primary source : ? Source for the tree : unknown gen copy This obscure demo is probably a fake. However, it has acquired a certain fame in the trading circle of Pink Floyd fans. We included it here, in order to let you make your own opinion. Some say it was recorded on a cheap cassette recorder, by two guys playing guitar simultaneously, sometime during the 80s. Note that the first riff after the intro is identical to the bass riff that can be heard on the 'Piper at the Gates of Dawn' version, and that earlier versions of the song (on 'San Francisco' soundtrack or 'Tonite Let's All Make Love in London' soundtrack) don't contain this particular riff. This leads to the conclusion that this 'demo' was probably recorded after the release of 'The Piper At The Gates Of Dawn' album. 10 - Interstellar Overdrive (Barrett, Waters, Wright, Mason) - Sound Techniques outtake 10:43 Recorded : London, Sound Techniques Studios, January 31 - February 1, 1967 Primary source : CBC Canadian Radio broadcast, early 1967 Source for the tree : 'Stone Rust' RoIO CD & 'Dark Globe' RoIO CD & 'The Sights And Sounds Of Syd Barrett's Pink Floyd' RoIO CD Extracts from the 3rd studio version of 'Interstellar Overdrive' can be heard in the background, during an interview broadcast in early 1967 by CBC Canadian Radio. Pink Floyd recorded 4 different studio versions of 'Interstellar Overdrive'. The first version was recorded in October 1966 at Thompson Recording Studios, and was later used in the 1968 'San Francisco' movie. The second version was recorded on January 11, 1967, at Sound Techniques Studios, and was used in the 'Tonite Let's All Make Love in London' movie. The third version was recorded during the 'Arnold Layne' / 'Candy and a Current Bun' sessions at Sound Techniques Studios. Only extracts from this version have surfaced, they can be heard in the background during the CBC broadcast from early 1967. The fourth version was recorded at Abbey Road in March 1967, and is the regular version that can be found on 'The Piper at the Gates of Dawn' album. 11 - Interstellar Overdrive (Barrett, Waters, Wright, Mason) - Abbey Road outtake 00:40 Recorded : London, Abbey Road Studios, March 14-15, 1967 Primary source : BBC broadcast, 1967 Source for the tree : unknown gen copy from BBC broadcast Outtake from 'The Piper at the Gates of Dawn' sessions, broadcast by the BBC in 1967. 12 - Interstellar Overdrive (Barrett, Waters, Wright, Mason) - mono single version 05:13 Recorded : London, Abbey Road Studios, March 14-15, 1967 Primary source : 'Arnold Layne' French EP, released 1967 Source for the tree : 'Anthology II' RoIO CD This version is unique, because it only contains the basic track, without overdubs. It fades out before the actual end of the song. 13 - Scarecrow (Barrett) - Abbey Road outtake 01:05 Recorded : London, Abbey Road Studios, March 19-20, 1967 Primary source : BBC broadcast, 1967 Source for the tree : unknown gen copy from BBC broadcast Outtake from 'The Piper at the Gates of Dawn' sessions, broadcast by the BBC in 1967. All the instruments are heavily undermixed. This is nearly an unplugged version ?. 14 - Scarecrow (Barrett) - mono 02:07 Recorded : London, Abbey Road Studios, March 19-20, 1967 Primary source : 'See Emily Play' single (2nd single), released June 16, 1967 Source for the tree : 'The Pink Floyd Early Singles' CD 15 - Astronomy Dominé (Barrett) - Abbey Road outtake 03:26 Recorded : London, Abbey Road Studios, April 11-12, 1967 Primary source : BBC broadcast, 1967 Source for the tree : unknown gen copy from BBC broadcast Outtake from 'The Piper at the Gates of Dawn' sessions, broadcast by the BBC in 1967, including an interview with Floyd's manager Peter Jenner. 16 - See Emily Play (Barrett) - actetate 02:49 Recorded : London, Sound Techniques Studios, May 18 & 21, 1967 Primary source : EMIdisc acetate Source for the tree : 'Dawn Of The Piper' RoIO CD This version is very close to the regular one, there are only slight changes in the mix (vocals are undermixed, organ is more in the front...). Note that the very end is uncut. 17 - See Emily Play (Barrett) - mono 02:52 Recorded : London, Sound Techniques Studios, May 18 & 21, 1967 Primary source : 'See Emily Play' single (2nd single), released June 16, 1967 Source for the tree : 'The Pink Floyd Early Singles' CD 18 - See Emily Play (Barrett) - fake stereo 02:49 Recorded : London, Sound Techniques Studios, May 18 & 21, 1967 Primary source : 'The Best of the Pink Floyd' compilation, released 1970 & 'Masters of Rock' compilation, released 1973 Source for the tree : 'A CD Full of Secrets' CD 19 - Flaming (Barrett) - mono 02:43 Recorded : London, Abbey Road Studios, June 7 & 27, 1967 Primary source : 'Flaming' US single (3rd US single), released November 2, 1967. Source for the tree : 'A CD Full of Secrets' CD 'Flaming' was not on the first US release of 'The Piper at the Gates of Dawn' album, and was then released as a single. This version is different from the regular (stereo) mix: background noises are mixed much louder. In fact, this version is identical to the version on the mono edition of 'The Piper at the Gates of Dawn' album. Curiously, on the 30th Anniversary Mono Edition CD released in 1997, one chord of the final chords sequence was edited out. 20 - Sunshine (uncredited) 01:31 Recorded : London, Abbey Road Studios, June 29, 1967 Primary source : ? Source for the tree : 'Dawn Of The Piper' RoIO CD This track was probably recorded during the 'Piper at the Gates of Dawn' sessions. Malcom Jones, in his book 'The Making of the Madcap Laughs', suggests this is an early version of 'Remember a Day'. Some think it's in fact a part of 'Matilda Mother', that was recorded the same day ... 21 - Silas Lane (uncredited) 02:39 Recorded : London, Abbey Road Studios, June 1967 Primary source : ? Source for the tree : 'Vegetable Man, Where Are You' RoIO LP This outtake was probably recorded during the 'Piper at the Gates of Dawn' sessions. These are the early chords of Barrett's song 'Swan Lee (Silas Lang)'. Note that the piano and jazz tunes may be due to a technical error while dubbing the original multitrack master tape onto cassette. The definitive version of 'Swan Lee' was recorded by Barrett one year later and released on 'Opel' in 1988. Some think this outtake comes from a Barrett solo session. 22 - Scream Thy Last Scream (Barrett) - mono 04:27 Recorded : London, Abbey Road Studios, August 7-8, 1967 Primary source : EMIdisc acetate Source for the tree : unknown gen copy This was intended to be the A-side of Pink Floyd's fourth single (after 'Apples and Oranges' single). But due to Syd's departure from the band, it remained unreleased. CD2 1 - Scream Thy Last Scream (Barrett) - stereo 04:30 Recorded : London, Abbey Road Studios, August 7-8, 1967 Primary source : EMIdisc acetate Source for the tree : 'Dawn Of The Piper' RoIO CD On this version, the instruments and vocals are mainly mono. However, some stereo effects can be heard, especially on the background noises (high pitched voices). 2 - Vegetable Man (Barrett) - mono 02:23 Recorded : London, Sound Techniques Studios, September 5-6, 1967 Primary source : EMIdisc acetate Source for the tree : 'Magnesium Proverbs' RoIO CD This was intended to be the B-side of 'Scream Thy Last Scream' single. 3 - Vegetable Man (Barrett) - alternate mono 02:28 Recorded : London, Sound Techniques Studios, September 5-6, 1967 Primary source : ? Source for the tree : unknown gen copy Alternate mono version, with more laughter at the end, without echo and delay. 4 - Vegetable Man (Barrett) - stereo 02:23 Recorded : London, Sound Techniques Studios, September 5-6, 1967 Primary source : EMIdisc acetate Source for the tree : 'Dawn Of The Piper' RoIO CD Stereo version, with background vocals and delays effects mixed louder. 5 - Remember A Day (Wright) - mono short version 02:39 Recorded : London, Sound Techniques Studios, October 5-6, 1967 Primary source : 'Remember A Day' US promo single, released August 19, 1968 Source for the tree : 1st gen copy from 'Remember A Day' promo single This version fades out before the last verse. 6 - Apples and Oranges (Barrett) - mono 03:03 Recorded : London, Abbey Road Studios, October 30 - November 1, 1967 Primary source : 'Apples and Oranges' UK single (3rd UK single), released November 18, 1967 Source for the tree : 'The Pink Floyd Early Singles' CD 7 - Apples and Oranges (Barrett) - stereo 03:00 Recorded : London, Abbey Road Studios, October 30 - November 1, 1967 Primary source : 'The Best of the Pink Floyd' compilation, released 1970 & 'Masters of Rock' compilation, released 1973 Source for the tree : 'A CD Full of Secrets' CD Curiously, on 'A CD Full of Secrets', the right and left channels were inverted, comparing to the original stereo version on 'The Best of the Pink Floyd' and 'Masters of Rock'. 8 - Paint Box (Wright) - mono 03:44 Recorded : London, Abbey Road Studios, October 30 - November 1, 1967 Primary source : 'Apples and Oranges' UK single (3rd UK single), released November 18, 1967 Source for the tree : 'The Pink Floyd Early Singles' CD 9 - Paint Box (Wright) - stereo 03:30 Recorded : London, Abbey Road Studios, October 30 - November 1, 1967 Primary source : 'The Best of the Pink Floyd' compilation, released 1970 & 'Masters of Rock' compilation, released 1973 Source for the tree : 'Relics' CD Faster ending fade out. 10 - Let There Be More Light (Waters) - mono edit 02:59 Recorded : London, Abbey Road Studios, January 17-18, 1968 Primary source : 'Remember A Day' US promo single, released August 19, 1968 Source for the tree : 1st gen copy from 'Remember A Day' promo single There's an edit during the intro, the 2nd verse ('Now is the time to be aware...') is missing, the beginning of the instrumental part after the last verse was cut, and there's an early fade out. 11 - Corporal Clegg (Waters) - video version 02:50 Recorded : London, Abbey Road Studios, January 31, 1968 Primary source : Belgian promo video Source for the tree : unknown gen copy from Belgian promo video This mono version has an alternate ending: the last chorus (just after 'His boots were very clean') and the following instrumental part are alternate takes from the regular version. 12 - It Would Be So Nice (Wright) - mono 03:43 Recorded : London, Abbey Road Studios, February 12-13 & March 5-12-21, 1968 Primary source : 'It Would Be So Nice' single (4th single), released April 12, 1968 Source for the tree : 'The Pink Floyd Early Singles' CD Due to the 'Evening Standard' mention in the original lyrics, the Floyd was forced to return in the studio to change it into 'Daily Standard'. The original 'Evening Standard' version doesn't seem to have surfaced. 13 - It Would Be So Nice (Wright) - promo edit 03:12 Recorded : London, Abbey Road Studios, February 12-13 & March 5-12-21, 1968 Primary source : 'It Would Be So Nice' UK promo single, released April 12, 1968 Source for the tree : ? The central 'It would be so nice' chorus is only sung once, and the first lines of the second verse ('Everybody cares about the weather ... what a waste of time') are edited. 14 - It Would Be So Nice (Wright) - fake stereo 03:39 Recorded : London, Abbey Road Studios, February 12-13 & March 5-12-21, 1968 Primary source : 'The Best of the Pink Floyd' compilation, released 1970 & 'Masters of Rock' compilation, released 1973 Source for the tree : 'A CD Full of Secrets' CD Curiously, on 'A CD Full of Secrets', the right and left channels were inverted, comparing to the original fake stereo version on 'The Best of the Pink Floyd' and 'Masters of Rock'. 15 - Julia Dream (Waters) - demo 03:14 Recorded : ? Primary source : ? Source for the tree : unknown gen copy This obscure demo is probably a fake. However, it has acquired a certain fame in the trading circle of Pink Floyd fans. We included it here, in order to let you make your own opinion. It has surfaced on the same tape that contains the (fake) demo of 'Interstellar Overdrive' (one can hear the beginning of 'Interstellar Overdrive' right after the end of 'Julia Dream'). So, this was probably recorded by the same guys. 16 - Julia Dream (Waters) - mono 02:31 Recorded : London, Abbey Road Studios, February 12-13 & March 23, 1968 Primary source : 'It Would Be So Nice' single (4th single), released April 12, 1968 Source for the tree : 'The Pink Floyd Early Singles' CD 17 - Julia Dream (Waters) - stereo 02:35 Recorded : London, Abbey Road Studios, February 12-13 & March 23, 1968 Primary source : 'Relics' compilation, released May 14, 1971 Source for the tree : 'Relics' CD 18 - Point Me at the Sky (Waters, Gilmour) - mono 03:35 Recorded : London, Abbey Road Studios, November 3-4, 1968 Primary source : 'Point Me at the Sky' UK single (5th UK single), released December 17, 1968 Source for the tree : 'The Pink Floyd Early Singles' CD 19 - Point Me at the Sky (Waters, Gilmour) - fake stereo 03:32 Recorded : London, Abbey Road Studios, November 3-4, 1968 Primary source : 'A CD Full of Secrets' promo sampler CD, released 1992 Source for the tree : 'A CD Full of Secrets' CD 20 - Careful with that Axe, Eugene (Waters, Wright, Gilmour, Mason) - mono 05:43 Recorded : London, Abbey Road Studios, November 3-4, 1968 Primary source : 'Point Me at the Sky' UK single (5th UK single), released December 17, 1968 Source for the tree : 'The Pink Floyd Early Singles' CD 21 - Careful with that Axe, Eugene (Waters, Wright, Gilmour, Mason) - stereo 05:42 Recorded : London, Abbey Road Studios, November 3-4, 1968 Primary source : 'Relics' compilation, released May 14, 1971 Source for the tree : 'Relics' CD CD3 1 - Astronomy Dominé (Barrett) - live short version 04:00 Recorded : live, Bromley, Technical College, April 26, 1969 & Birmingham, Mother's Club, April 27, 1969 & Manchester, College of Commerce, May 2, 1969 Primary source : 'The New Spirit of Capitol' sampler, released 1969? Source for the tree : 'The New Spirit of Capitol' sampler 'Ummagumma' live version with early fade out. 2 - Embryo (Waters) 04:37 Recorded : London, Abbey Road Studios, April - June 1969 Primary source : 'Picnic - A Breath of Fresh Air' Harvest sampler, released June 1970 Source for the tree : 'Works' CD This version is often considered as a demo. In fact, it was recorded during the 'Ummagumma' studio sessions at Abbey Road, but it was not included on the album, because the band later decided to organise the studio disc in four parts (one part for each member). This song first appeared in June 1970 on 'Picnic - A Breath of Fresh Air' Harvest sampler, without the band's agreement. In 1983, this version was included on 'Works' Canadian compilation, this time with the band's agreement. 3 - Biding My Time (Waters) 05:14 Recorded : London, Abbey Road Studios, April - June 1969 Primary source : 'Relics' compilation, released May 14, 1971 Source for the tree : 'Relics' CD This is the other song that was recorded during the 'Ummagumma' studio sessions, but was not included on the album. This track was part of 'The Man & the Journey' concept suite that the Floyd used to perform in 1969. Several Species of Small Furry Animals Gathered together in a Cave and Grooving with a Pict (Waters) Recorded : London, Abbey Road Studios, April - June 1969 Primary source : 'Ummagumma' album, released October 25, 1969 Source for the tree : 'Ummagumma' 1994 remaster CD Length : 4 - 'this is pretty avant-garde isn't it' 00:09 During Roger Waters' speech at 04:32, this sentence can be heard on the right channel (you have to play the song at half speed to hear it properly). 5 - 'and the wind cried ... ' 00:06 There was a strong debate about what Roger says at the very end of the track: 'And the wind cried Mary ? Marion ? Back ? '. Make your own opinion before Dave thanks you ;-) Note : it is also said that at some point Roger says 'Bring Back My Guitar', but we haven't been able to find this sentence during the song (or nothing that could be clearly identified as this). 6 - Moonhead (uncredited) 05:47 Recorded : July 10, 1969 Primary source : BBC TV broadcast, July 20, 1969 Source for the tree : unknown gen copy This unreleased track was recorded by the band for the BBC TV broadcast during the night of the first moon landing (July 20, 1969). The show was subtitled 'What if it's just green cheese'. Note that the bass line later developed into the central part of 'Money'. Atom Heart Mother (Mason, Gilmour, Waters, Wright, Geesin) - announcements Recorded : London, Abbey Road Studios, 1970 Primary source : 'Atom Heart Mother' album, released October 10, 1970 Source for the tree : 'Atom Heart Mother' remaster CD 7 - 'here's a loud announcement' 00:05 This sentence was probably said by Ron Geesin (co-composer of the track) and can be heard at 17:28. 8 - 'silence in the studio' 00:06 Another sentence by Ron Geesin. Can be heard at 19:08 9 - Green is the Colour (Waters) - live 03:52 10 - Careful with that Axe, Eugene (Waters, Wright, Gilmour, Mason) - live short version 03:42 11 - Embryo (Waters) - live short version 02:08 12 - Set the Controls for the Heart of the Sun (Waters) - live short version 05:19 Recorded : live, Hamburg, Muzikhalle, Grosser Saal, February 25, 1971 Primary source : 'Hamburger' RoIO LP Source for the tree : 'Pink Floyd In Concerto' Italian single These 4 tracks come from an Italian single entitled 'Pink Floyd In Concerto' that was released as a bonus with the 'Gong' magazine, sometimes in the 70's. This one plays extracts from a bootleg LP ('Hamburger'). When the powers that be found it was bootlegged music, they tried to stop the magazine selling, but some copies went through. The single was later re-released as a bonus with another bootleg LP ('A Special Treat'). Here's what the front cover of the single says: 'Supplemento al No 1 anno 4o di 'GONG' mensile di musica e cultura progressiva. 'PINK FLOYD IN CONCERTO' 16 minuti di musica live da monaco di baviera'. 13 - 'Relics' radio advert #1 00:58 14 - 'Relics' radio advert #2 00:58 Recorded : ? Primary source : radio broadcast Source for the tree : unknown gen copy from radio broadcast 15 - 'Meddle' radio advert 00:57 Recorded : ? Primary source : radio broadcast Source for the tree : unknown gen copy from radio broadcast 16 - One of These Days (Waters, Wright, Mason, Gilmour) - demo #1 04:49 Recorded : 1971? Primary source : ? Source for the tree : 'Granny Takes A Trip' RoIO CD Nick Mason's words 'One of these days I'm going to cut you into little pieces' are repeated all through the song. The voice in the background all along the track is the one of Jimmy Young, an English DJ who was disliked by the band and is the inspiration for the song. This Jimmy Young speech was also used during live performances in late 1974, when the band played a tape of this speech (in loop mode, with increasing tempo) before the song 'Raving and Drooling' (early version of 'Sheep'). 17 - One of These Days (Waters, Wright, Mason, Gilmour) - demo #2 06:49 Recorded : 1971? Primary source : ? Source for the tree : 'Granny Takes A Trip' RoIO CD This second demo is more structured, and Jimmy Young is not talking in the background. Note that some Floyd experts think these 2 demos could be a fake. 18 - One of These Days (Waters, Wright, Mason, Gilmour) - mono edit 03:28 Recorded : London, Morgan Studios, 1971 Primary source : 'One Of These Days' US promo single, released 1971 Source for the tree : 'One Of These Days' US promo single Various short edits all along the song. 19 - Fearless (Gilmour, Waters) - mono edit 03:13 Recorded : London, 1971 Primary source : 'One Of These Days' US promo single, released 1971 Source for the tree : 'One Of These Days' US promo single There's only one verse, which is mainly the first verse of the original version (until 'just wait a while for the right day'), where the last lines were replaced by those of the second verse ('and as you rise ... faces in the crowd'). This version also fades out early. 20 - Roger the Hat interview 07:30 Recorded : 1972 Primary source : Capital Radio broadcast ('Pink Floyd Story'), December 1976 - January 1977 Source for the tree : unknown gen from Capital Radio broadcast All though 'The Dark Side of the Moon' album, you can hear the voices of people interviewed by the band. Here, Roger the Hat (who was a roadie for various rock bands) is interviewed by Roger Waters. On the album, you can hear his voice during 'On the Run' ('Live for today, gone tomorrow, that's me, hahaha') and during 'Us And Them' ('Short, sharp shock'). CD4 1 - Breathe (Waters, Gilmour, Wright) - mono 02:51 Recorded : London, Abbey Road Studios, June 1972 - January 1973 Primary source : 'The Dark Side Of The Moon' US promo EP, released 1973 Source for the tree : 1st gen copy from 'Breathe' promo single 2 - On the Run (Gilmour, Waters) - outtake 06:10 Recorded : London, Abbey Road Studios, November 1972 Primary source : 'Live At Pompeii' film Source for the tree : 'Live At Pompeii' LaserDisc Studio outtake with interview segments. You can hear a keyboard jam in the first part and then a nearly finished mix in the second part. 3 - Time (Mason, Waters, Wright, Gilmour) - demo 06:05 Recorded : London, Abbey Road Studios, June 1972 Primary source : ? Source for the tree : 'From the Other Side' RoIO CD Rough mix from 'The Dark Side of the Moon' recording sessions. Longer rototom intro. The instrumental part after 'you missed the starting gun' has no guitar solo. It fades out at the beginning of 'Breathe - reprise' (just before the words 'Home, home again'). 4 - Time (Mason, Waters, Wright, Gilmour) - stereo edit 03:26 Recorded : London, Abbey Road Studios, June 1972 - January 1973 Primary source : 'Us And Them' single, released 1973 Source for the tree : 1st gen copy from 'Us And Them' single Shorter rototom intro, most of the central guitar solo is missing, rototom outro in place of 'Breathe - reprise'. 5 - Time (Mason, Waters, Wright, Gilmour) - mono edit 03:32 Recorded : London, Abbey Road Studios, June 1972 - January 1973 Primary source : 'The Dark Side Of The Moon' US promo EP, released 1973 Source for the tree : 'The Dark Side Of The Moon' US promo EP Same as previous edit: shorter rototom intro, most of the central guitar solo is missing, rototom outro in place of 'Breathe - reprise'. 6 - Money (Waters) - demo 01:38 Recorded : 1971 Primary source : BBC Radio One interview with David Gilmour, broadcast July 28, 1992 Source for the tree : 'Pinkie Milkie' RoIO CD Extract of Roger's early demo of the song. He plays a double tracked acoustic guitar while singing over the top. 7 - Money (Waters) - stereo edit 03:59 Recorded : London, Abbey Road Studios, June 1972 - January 1973 Primary source : 'Money' single, released May 5, 1973 Source for the tree : 'Money' 1993 UK Promo CD The intro is shorter, the central part of the sax solo is edited, as well as parts 2 & 3 of the guitar solo (quiet part and theme reprise). 8 - Money (Waters) - 'soft' stereo edit 04:02 Recorded : London, Abbey Road Studios, June 1972 - January 1973 Primary source : 'Money' US promo single, released May 1973 Source for the tree : 'Money' US promo single Same as previous edit, plus 'shit' edit during the sentence 'Don't give me that do goody good bullshit'. 9 - Money (Waters) - 'soft' mono edit 03:59 Recorded : London, Abbey Road Studios, June 1972 - January 1973 Primary source : 'Money' US promo single, released May 1973 Source for the tree : 'Money' US promo single Same as previous edit: the intro is shorter, the central part of the sax solo is edited, as well as parts 2 & 3 of the guitar solo and the word 'shit' during the sentence 'Don't give me that do goody good bullshit'. 10 - Money (Waters) - alternate 'soft' mono edit 03:10 Recorded : London, Abbey Road Studios, June 1972 - January 1973 Primary source : 'The Dark Side Of The Moon' US promo EP, released 1973 Source for the tree : 'The Dark Side Of The Moon' US promo EP Shorter intro, no sax solo, edited guitar solo, plus 'shit edit' during the sentence 'Don't give me that do goody good bullshit'. 11 - Us And Them (Waters, Wright) - demo 05:27 Recorded : London, Abbey Road Studios, June 1972 Primary source : ? Source for the tree : 'From the Other Side' RoIO CD Sax solo is not mixed on and off, no echo on vocals, different piano part at the end. 12 - Us And Them (Waters, Wright) - outtake 06:10 Recorded : London, Abbey Road Studios, November 1972 Primary source : 'Live At Pompeii' film Source for the tree : 'Live At Pompeii' LaserDisc Studio outtake with interview segments. The work in progress... Note that in the film (at 04:05), an extract of 'Eclipse' is inserted before David Gilmour says 'It's an imagery we'd like to dispel...'. We have reported this extract at the end of this disc. 13 - Us And Them (Waters, Wright) - stereo edit 03:18 Recorded : London, Abbey Road Studios, June 1972 - January 1973 Primary source : 'Us And Them' US promo single, released February 4, 1974 Source for the tree : 'Us And Them' US promo single Various short edits during sax solos, no third verse, fade out during piano solo. 14 - Us And Them (Waters, Wright) - mono edit 03:18 Recorded : London, Abbey Road Studios, June 1972 - January 1973 Primary source : 'The Dark Side Of The Moon' US promo EP, released 1973 Source for the tree : 'Us And Them' US promo single Same as previous edit: various short edits during sax solos, no third verse, fade out during piano solo. 15 - Brain Damage / Eclipse (Waters) - demo 03:24 Recorded : London, Abbey Road Studios, June 1972 Primary source : ? Source for the tree : 'From the Other Side' RoIO CD Fades in the middle of the song. No laughter after the first sentence. Guitar solo all along the track. No voice during the bridge between 'Brain Damage' and 'Eclipse'. 16 - Brain Damage (Waters) - outtake 07:08 Recorded : London, Abbey Road Studios, November 1972 Primary source : 'Live At Pompeii' film Source for the tree : 'Live At Pompeii' LaserDisc Studio outtake with interview segments. This version has guitar parts similar to the demo version. 17 - Brain Damage (Waters) - outtake 01:16 Recorded : London, Abbey Road Studios, November 1972 Primary source : 'Live At Pompeii' film Source for the tree : 'Live At Pompeii' LaserDisc Length : 01:16 Studio outtake with interview segments. Slightly different bass line. Note that in the film this track is inserted between the two 'Us And Them' parts. 18 - Eclipse - 'mysterious ending tiny music' 00:30 Recorded : London, Abbey Road Studios, June 1972 - January 1973 Primary source : 'The Dark Side of the Moon' album, released March 24, 1973 Source for the tree : 'The Dark Side of the Moon' MFSL CD At the very end of 'The Dark Side of the Moon', you can hear at very low level (below the tape hiss level) some notes of music. Some think it's a Beatles tune, some don't ;-). Even if it's easier to remove it than keep it, all the remastered editions of the album have this 'default'. CD5 1 - Merry Xmas Song (uncredited) 02:05 Recorded : ? Primary source : ? Source for the tree : 'All Movement is Accomplished' RoIO CD Impromptu song, probably sung by Nick Mason, with John Peel and Alan Stiles (Floyd roadie to whom the song 'Alan's Psychedelic Breakfast' on 'Atom Heart Mother' album is dedicated). Some say it was recorded during the Zabriskie Point sessions in Rome, December 1969. Other think it's from 1974 or 1975. One thing is almost certain though: it must have been recorded in December... ;-) 2 - Shine on you Crazy Diamond (Gilmour, Waters, Wright) - part 1 03:52 Recorded : London, Abbey Road Studios, January - July 1975 Primary source : 'Have A Cigar' French single, released 1975 Source for the tree : 'Have A Cigar' French single It fades out just before 'Syd's theme' (the 'four notes' guitar riff). 3 - Shine on you Crazy Diamond (Gilmour, Waters, Wright) - promo edit 06:09 Recorded : London, Abbey Road Studios, January - July 1975 Primary source : 'Shine On You Crazy Diamond' promo single, released 1975 Source for the tree : 'Anthology I' RoIO CD This version fades in during Part 3 (last guitar solo before vocals), continues with the first verse of Part 4 ('Remember when you were young ... you legend, you martyr, and shine'), then jumps to Part 7 (third verse: 'Nobody knows where you are ... for truth and delusion, and shine'), and fades out during the end of Part 8. 4 - Shine on you Crazy Diamond (Gilmour, Waters, Wright) - 1981 edit 10:35 Recorded : London, Abbey Road Studios, January - July 1975 Primary source : 'A Collection of Great Dance Songs' compilation, released November 23, 1981 Source for the tree : 'A Collection of Great Dance Songs' CD Part 3 (last guitar solo before vocals) is skipped, Part 4 and Part 7 are linked (so that the three verses are continuous), and there's a fade out after the last verse (just before Part 8). 5 - Shine on you Crazy Diamond (Gilmour, Waters, Wright) - UK short version 04:48 Recorded : London, Abbey Road Studios, January - July 1975 Primary source : 'Selected Tracks from Shine On' UK promo CD, released 1992 Source for the tree : 'Selected Tracks from Shine On' UK promo CD On the promo sampler, this version is called 'radio edit', but it's in fact a short version of the song (there is no 'edit'): it fades in at the beginning of Part 4 ('Remember when you were young ...') and fades out at the end of Part 5 (sax solo). 6 - Shine on you Crazy Diamond (Gilmour, Waters, Wright) - US short version 05:13 Recorded : London, Abbey Road Studios, January - July 1975 Primary source : 'Shine On - Selections from the Box' US promo CD, released 1992 Source for the tree : 'Shine On - Selections from the Box' US promo CD This version is also called 'radio edit' on the US promo sampler, although it's slightly different from the 'radio edit' on the UK promo sampler. Again, there's no 'edit' and it's in fact a short version: it fades in during the end of Part 3 (last guitar solo before vocals) and fades out early during Part 5 (sax solo). 7 - Shine on you Crazy Diamond (Gilmour, Waters, Wright) - 'storm' mix 27:48 Recorded : London, Abbey Road Studios, January - July 1975 Primary source : ? Source for the tree : unknown gen copy Parts 1 to 9 linked together, remixed with storm noises in the background. It is said that this track was remixed by or for the BBC, but it is probably a fake. However, it has acquired a certain fame in the trading circle of Pink Floyd fans. We included it here, in order to let you make your own opinion. 8 - Shine on you Crazy Diamond (Gilmour, Waters, Wright) - 'to the galaxy' 01:22 Recorded : London, Abbey Road Studios, January - July 1975 Primary source : 'Hitchhiker's Guide to the Galaxy' radio show Source for the tree : unkown gen copy During one of the scenes in the 'Hitchhiker's Guide to the Galaxy' radio series (an adaptation of Douglas Adams' novel), the opening of 'Shine on you Crazy Diamond' can be heard in the background and one of the characters (Arthur) says 'Ford, do you realize that robot can hum like Pink Floyd ?'. 9 - Have A Cigar (Waters) - short version 04:13 Recorded : London, Abbey Road Studios, January - July 1975 Primary source : 'Have A Cigar' Italian single, released 1975. Source for the tree : 'Have A Cigar' Italian single Note that the various European releases of this single have shorter or longer versions: the French promo juke-box single is 04:50 long (it's nearly the complete version), the Belgian single is 04:24 long and the Italian single is 04:13 long. All these European versions fade out during the final guitar solo. 10 - Have A Cigar (Waters) - stereo edit 03:36 Recorded : London, Abbey Road Studios, January - July 1975 Primary source : 'Have A Cigar' US single, released November 15, 1975 Source for the tree : 'Have A Cigar' US single Four bars intro instead of eight bars (two small edits in the guitar and keyboards first themes), plus an early fade out during the final guitar solo. 11 - Have A Cigar (Waters) - mono edit 03:33 Recorded : London, Abbey Road Studios, January - July 1975 Primary source : 'Have A Cigar' US promo single, released November 15, 1975 Source for the tree : 'Have A Cigar' US promo single Same edit as above: four bars intro instead of eight bars, plus an early fade out during the final guitar solo. CD6 1 - 'Animals' radio advert 00:57 Recorded : ? Primary source : radio broadcast, 1977 Source for the tree : unknown gen copy from radio broadcast 2 - Pigs on the Wing (Waters) - parts 1 & 2 03:21 Recorded : London, Britannia Row Studios, 1976 Primary source : 'Animals' 8-tracks cartridge, released January 1977 Source for the tree : 'Gold Top' Snowy White's compilation CD On the US 8-tracks cartridge release of the 'Animals' album, both parts of 'Pigs on the Wing' were linked by a guitar solo played by Snowy White. This enhanced track was only released on CD in 1995, on Snowy White's compilation 'Gold Top'. 3 - Pigs (Three Different Ones) (Waters) - short version 04:05 Recorded : London, Britannia Row Studios, 1976 Primary source : 'Pigs (Three Different Ones')' Brazilian promo single, released 1977 Source for the tree : 'Pigs (Three Different Ones)' Brazilian promo single This version fades out after the 2nd verse. 4 - The Wall - 'loop message' 00:04 Recorded : April - November 1979 Primary source : 'The Wall' album, released November 30, 1979 Source for the tree : 'The Wall' MFSL CD Roger says two bits of sentence at the very end and the very beginning of 'The Wall'. Some understand: 'Isn't this where ... we came in ?', others understand: 'Somebody spoke ... we came in'. 5 - Another Brick In The Wall part 2 (Waters) - single version 03:10 Recorded : April - November 1979 Primary source : 'Another Brick in the Wall part 2' single, released November 16, 1979 Source for the tree : 'Anthology I' RoIO CD This version has four extra bars at the beginning (rhythm guitar intro that doesn't appear on the album because of the abrupt transition between 'The Happiest Days of our Lives' and 'Another Brick in the Wall part 2') and fades out during the guitar solo. 6 - Another Brick In The Wall part 2 (Waters) - 1981 single version 03:47 Recorded : April - November 1979 Primary source : 'A Collection of Great Dance Songs' compilation, released November 23, 1981 Source for the tree : 'A Collection of Great Dance Songs' CD Same four bars intro as the original single version, but it fades out later, after the end of the guitar solo (during the teacher's shouts). 7 - Empty Spaces - 'backwards message' 00:19 Recorded : April - November 1979 Primary source : 'The Wall' album, released November 30, 1979 Source for the tree : 'The Wall' MFSL CD There's a backwards message at the start of 'Empty Spaces': 'Congratulations, you have just discovered the secret message. Please send your answer at the Funny Farm, care of Old Pink, Chalfont'. Then David shouts 'Roger, Carolyne on the phone'. 8 - Young Lust (Waters, Gilmour) - single version 03:56 Recorded : April - November 1979 Primary source : 'Another Brick in the Wall part 2' Italian single, released 1979 Source for the tree : 'Another Brick in the Wall part 2' Italian single + 'Off The Wall' US radio promo EP This version has some unreleased intro bars (on the album the track starts with the lyrics) and doesn't fade out with the phone call. Note that there's a special US promo mix (on 'Off The Wall' radio promo EP) that doesn't have the intro bars, but has the same ending. 9 - One of my Turns (Waters) - single version 03:39 Recorded : April - November 1979 Primary source : 'Another Brick in the Wall part 2' single, released November 16, 1979 Source for the tree : 'Another Brick in the Wall part 2' single No intro crossfade with 'Young Lust' (no phone tone at the beginning) nor outro crossfade with 'Don't Leave Me Now'. 10 - Comfortably Numb (Gilmour, Waters) - demo 02:34 Recorded : 1978 Primary source : BBC Radio One interview with David Gilmour, broadcast July 28, 1992 Source for the tree : 'Total Eclipse' RoIO CD David Gilmour's demo tape. 11 - Comfortably Numb (Gilmour, Waters) - edit 03:57 Recorded : April - November 1979 Primary source : 'Run Like Hell' US single, released June 1980 Source for the tree : 'Run Like Hell' US single Final guitar solo is stuck to the end of the first verse (no first guitar solo, no second verse). 12 - Run Like Hell (Gilmour, Waters) - single version 03:40 Recorded : April - November 1979 Primary source : 'Run Like Hell' US single, released June 1980 Source for the tree : 'Run Like Hell' US single No croud noise during intro and outro. Only one guitar theme before the first 'Run, run, run, run...' instead of two, but it is repeated twice at the end (after the scream) instead of once. The 'hunt' part is edited. 13 - Run Like Hell (Gilmour, Waters) - promo mix 04:42 Recorded : April - November 1979 Primary source : 'Off The Wall' radio promo, released 1979 Source for the tree : 'Off The Wall' radio promo No crowd noise during intro and outro. Intro theme (before the guitar theme) is twice as long as on the album. Guitar theme is repeated twice after the final scream, instead of once. 14 - Money (Waters) - 1981 version 06:41 Recorded : London, New Roydonia Studios, 1981 Primary source : 'A Collection of Great Dance Songs' compilation, released November 23, 1981 Source for the tree : 'A Collection of Great Dance Songs' CD This is a new version, re-recorded by David Gilmour due to contractual reason. 15 - Money (Waters) - 1981 edit 05:33 Recorded : London, New Roydonia Studios, 1981 Primary source : 'Money' UK single, released 1982 Source for the tree : 'Anthology I' RoIO CD No sax solo. 16 - When the Tigers Broke Free (Waters) - single version 02:53 Recorded : 1982 Primary source : 'When the Tigers Broke Free' single, released July 26, 1982 Source for the tree : 'Roger Waters - The Wall Berlin '90' promo CD This song is the only soundtrack extract from 'The Wall' movie that was eventually officially released. In the film, it was split into two parts (with more choir intro and outro). The orchestra is mixed louder on this version, which also has more drum rolls. 17 - Bring the Boys Back Home (Waters) - single version 01:40 Recorded : 1982 Primary source : 'When the Tigers Broke Free' single, released July 26, 1982 Source for the tree : 'Total Eclipse' RoIO CD This song was re-recorded for the film, without Roger's voice (there's only the choir). On this single version, the orchestral bridge is longer than on the album version (also note that the flute theme is not in the film version) and with three reprises of 'Bring the boys back home', when there's only one on the album. 18 - 'The Final Cut' radio avert 01:05 Recorded : ? Primary source : WKLS radio broadcast, Atlanta, March 17, 1983 Source for the tree : unknown gen copy from radio broadcast 19 - Not Now John (Waters) - obscured version 04:23 Recorded : 1982 Primary source : 'Not Now John' single, released April 30, 1983 Source for the tree : 'A CD Full of Secrets' CD Since the original version has lyrics that say 'F*** all that', David Gilmour came back in the studio to make a radio-friendly version ('Stuff all that') for the single release. Note that they just recorded 'Stuff all that' loud enough to drown the original, which is still there. The intro is slightly different from the album version (no laugh), and this version fades out before the lyrics 'Where's the fucking bar John?'. 20 - Not Now John (Waters) - promo edit 03:46 Recorded : 1982 Primary source : 'Not Now John' Argentinian promo single, released 1983 Source for the tree : 'Not Now John' Argentinian promo single This version is not obscured (it has the F*** word). It begins directly with the vocals (no intro), and the lines 'Hold on John, I think there's something good on ... it could be reusable shows' were skipped. 21 - The Hero's Return (Waters) - parts 1 & 2 03:54 Recorded : 1982 Primary source : 'Not Now John' single, released April 30, 1983 Source for the tree : 'Total Eclipse' RoIO CD The second part, with additional lyrics, is only available on the single. CD7 1 - Learning to Fly (Gilmour, Ezrin, Carin, Moore) - demo 01:22 Recorded : 1986 Primary source : BBC Radio One interview with David Gilmour, broadcast July 28, 1992 Source for the tree : 3rd gen copy from BBC Radio One broadcast This is Jon Carin's demo. Jon Carin met David Gilmour in 1985, during 'Live Aid'. He played keyboards with the Floyd (in studio and on tour) from 1986 to 1994. He also played keyboards, guitars and did some vocals on Roger Waters' 'In The Flesh' Tour, in 1999 and 2000. 2 - Learning to Fly (Gilmour, Ezrin, Carin, Moore) - edit 04:19 Recorded : 1987 Primary source : 'Learning to Fly' US single, released September 15, 1987 Source for the tree : 'Learning to Fly' UK CD single The instrumental part before the last verse ('Above the planet on a wing and a prayer ...') is edited (6 bars instead of 10 during the 'checklist'). This version also fades out slightly earlier than the regular one. 3 - The Dogs of War (Gilmour, Moore) - edit 05:34 Recorded : 1987 Primary source : 'A Momentary Lapse of Reason Official Tour CD' US promo, released 1988 Source for the tree : 'A Momentary Lapse of Reason Official Tour CD' Shorter intro (2 themes instead of 8). Note that the end is not mixed with the beginning of 'One Slip' as on the album. 4 - One Slip (Gilmour, Manzanera) - edit 03:58 Recorded : 1987 Primary source : 'Learning to Fly' UK single, released October 3, 1987 Source for the tree : 'Learning to Fly' UK CD single This version begins with the first drum hit (the 'clocks noises' part of the album version is skipped). The rototom intro is edited (4 themes instead of 8) and doesn't have the background keyboards. The central part with bass solo is edited (2 themes instead of 4). The last chorus is repeated and the fade out happens during the second one (on the album version, after the last chorus, there's a reprise of the bass solo and then the song fades out). 5 - On the Turning Away (Gilmour, Moore) - edit 03:54 Recorded : 1987 Primary source : 'On the Turning Away' UK promo single, released December 7, 1987 Source for the tree : ? The quiet fretless bass lines, just before the last verse, are edited out. The first part of the final guitar solo is edited. Early fade out. 6 - The Dogs of War (Gilmour, Moore) - live 07:24 Recorded : live, Atlanta, the Omni, November 5, 1987 Primary source : 'One Slip' single, released 1988 Source for the tree : 'A Momentary Lapse of Reason Official Tour CD' 7 - On the Turning Away (Gilmour, Moore) - live 06:54 Recorded : live, Atlanta, the Omni, November 5, 1987 Primary source : 'On the Turning Away' 12' single, released November 24, 1987 Source for the tree : 'On the Turning Away' CD single It was filmed and used for 'On the Turning Away' video. 8 - One Slip (Gilmour, Manzanera) - live 05:24 Recorded : live, Atlanta, the Omni, November 5, 1987 Primary source : 'One Slip' video Source for the tree : 'One Slip' video Note that this live version was never officially released. It's only available from TV broadcasts. 9 - Run Like Hell (Waters, Gilmour) - live 07:27 Recorded : live, Atlanta, the Omni, November 5, 1987 Primary source : 'On the Turning Away' single, released November 24, 1987 Source for the tree : 'On the Turning Away' CD single 10 - Wearing the Inside Out (Wright, Moore) - LP version 06:26 Recorded : 1994 Primary source : 'The Division Bell' LP, released March 30, 1994 Source for the tree : 'The Division Bell' LP This LP version is different from the CD version, with a slight change in the lyrics: the first lines of the second verse ('I murmured a vow ... when I think aloud') were added to the first verse, and the rest of the second verse ('Extinguished by the light ... with an empty smile') was left out, so that the LP version has a longer first verse, and no second verse between 'This bleeding heart's not beating much' and 'I'm creeping back to life...'. 11 - Take it Back (Gilmour, Ezrin, Samson, Laird-Clowes) - edit 04:54 Recorded : 1994 Primary source : 'Take it Back' single, released May 16, 1994 Source for the tree : 'Take it Back' CD single Edits during the intro (5 chords instead of 9), the central part (8 chords instead of 16) and the outro (4 chords instead of 8). 12 - Take it Back (Gilmour, Ezrin, Samson, Laird-Clowes) - extended 07:05 Recorded : 1994 Primary source : 'Take it Back' French promo single, released 1994 Source for the tree : 'Take it Back' French promo single, released 1994 Extended ending. 13 - Keep Talking (Gilmour, Wright, Samson) - radio edit 04:54 Recorded : 1994 Primary source : 'High Hopes / Keep Talking' UK single, released October 17, 1994 Source for the tree : 'High Hopes / Keep Talking' UK CD single Late fade in (the first 24 seconds from the original version are missing). The guitar and keyboards solos in the middle of the song are both shortened. Early fade out. CD8 1 - Lost for Words (Gilmour, Samson) - clean version 04:56 Recorded : 1994 Primary source : 'Lost for Words' US promo single, released 1994 Source for the tree : 'Lost for Words' US promo CD The 'f***' word in 'please gonna f*** myself' is censored by a 'beep'. Early fade out. 2 - High Hopes (Gilmour, Samson) - radio edit 05:13 Recorded : 1994 Primary source : 'High Hopes / Keep Talking' UK single, released October 17, 1994 Source for the tree : 'High Hopes / Keep Talking' UK CD single Edits during the piano/bells intro (2 themes instead of 4), during the central instrumental part with acoustic guitar (2 themes instead of 4) and during the ending guitar solo. Note that the 'radio edit' on the French single is 5 seconds shorter (2 more bells ringings were cut). 3 - High Hopes - 'phone call' 00:11 Recorded : 1994 Primary source : 'The Division Bell' album, released March 30, 1994 Source for the tree : 'The Division Bell' CD At the very end of 'The Division Bell' album, there's a phone conversation between Steve O'Rourke (Floyd's manager) and Charlie (Polly Samson's son; Polly married David Gilmour in 1994). This conversation was probably incidentally recorded by the answering machine at Gilmour's house. 4 - David Gilmour interview 13:36 Recorded : March 26, 1994 Primary source : 'Take it Back' Australian promo single, released 1994 Source for the tree : 'Take it Back' Australian promo CD This is an 'answers only' interview, where David Gilmour is supposed to answer 8 different questions. The questions are available on a separate sheet provided with the promo CD: Question 1: Where was your new album, The Division Bell, recorded ? Question 2: How was the recording of this album different from the previous Pink Floyd album ? Question 3: How did you arrive at the title The Division Bell ? Question 4: Do you enjoy putting on such enormous concert events ? Question 5: Let's talk about the songs on the album. On 'What Do You Want From Me' the music was written by you and Richard and the lyrics were written by you and Polly Samson. Could you tell us how this wame about ? Question 6: There's an incredible instrumental on the album. Could you explain how you came up with the music and the title to 'Marooned' ? Question 7: How did you come up with 'Wearing The Inside Out'. I see that Dick Parry plays saxophone on this song ? Question 8: 'Keep Talking' is an amazing song. It's being played on the radio almost constantly. Are you happy with the response that song is getting ? 5 - Soundscape (uncredited) 22:07 Recorded : 1994 Primary source : 'P*U*L*S*E' cassette, released 1995 Source for the tree : 'P*U*L*S*E' cassette This track consists of various ambient noises and is probably an extract of the (longer) tape that was played before the Floyd shows during the Division Bell Tour. Somewhere in the middle, an extract from 'Cluster One' can be heard. It is not available on 'P*U*L*S*E' CD and LP releases. 6 - Astronomy Dominé (Barrett) - live 04:46 Recorded : live, Miami, Joe Robbie Stadium, April 30, 1994 Primary source : 'Take it Back' single, released May 16, 1994 Source for the tree : 'Take it Back' CD single First song from the first night of the Division Bell Tour. 7 - One of These Days (Waters, Wright, Mason, Gilmour) - live 06:55 Recorded : live, Hannover, Niedersachsenstadion, August 17, 1994 Primary source : 'High Hopes / Keep Talking' UK single, released 1994 Source for the tree : 'High Hopes / Keep Talking' UK CD single 8 - Wish You Were Here (Waters, Gilmour) - live edit 03:52 Recorded : live, Rome, Cinecitta, September 20, 1994 Primary source : 'Wish You Were Here' French promo single, released 1995 Source for the tree : 'Wish You Were Here' French promo CD This is an edit of the 'P*U*L*S*E' version: it fades in at the beginning of the acoustic guitar solo (at 01:42 on 'P*U*L*S*E' CD), and there's a short edit during the last guitar/voice duo, after the last verse (the segment 04:29-04:43 on the 'P*U*L*S*E' CD version was cut). 9 - Coming Back to Life (Gilmour) - live edit 03:59 Recorded : live, London, Earls Court, October 13, 1994 Primary source : 'Coming Back to Life' US promo single, released 1995 Source for the tree : 'Coming Back to Life' US promo CD This is an edit of the 'P*U*L*S*E' version: the instrumental guitar intro is missing (the song begins with the first lines 'Where were you ...'), and it ends just after the last verse (skipping the final guitar solo). 10 - One of These Days (Waters, Wright, Mason, Gilmour) - live 06:45 Recorded : live, London, Earls Court, October 16 & 20, 1994 Primary source : 'P*U*L*S*E' cassette, released 1995 Source for the tree : 'P*U*L*S*E' cassette This is not the same live version as the one available on 'High Hopes / Keep Talking' single. It's available on 'P*U*L*S*E' cassette and LP releases only. CD9 'San Francisco' 1 - Interstellar Overdrive (Barrett, Waters, Wright, Mason) 15:44 Recorded : London, Thompson Recording Studios, October 31, 1966 Primary source : 'San Francisco' film, released 1968 Source for the tree : 1st gen copy from the film This version is also rumoured as to have been recorded in Syd Barrett's garage. 'Tonite Let's All Make Love in London' 2 - Interstellar Overdrive (Barrett, Waters, Wright, Mason) 16:40 3 - Nick's Boogie (Barrett, Mason, Wright, Waters) 11:43 Recorded : London, Sound Techniques Studios, January 11-12, 1967 Primary source : 'Tonite Let's All Make Love In London... Plus' CD, released 1990 Source for the tree : 'In London 1966*1967' CD The original soundtrack album was released July 19, 1968, and contained a 3 minutes extract from 'Interstellar Overdrive'. The full length version of 'Interstellar Overdrive' was released for the first time in 1990, on 'Tonite Let's All Make Love In London... Plus' CD, along with the unreleased 'Nick's Boogie'. 'The Committee' 4 - The Committee Pt.1 (uncredited) - backwards version 00:35 5 - The Committee Pt.1 (uncredited) 00:35 6 - The Committee Pt.2 (uncredited) 01:09 7 - The Committee Pt.3 (uncredited) 02:55 8 - The Committee Pt.4 (uncredited) 01:24 9 - The Committee Pt.5 (uncredited) 02:06 10 - The Committee Pt.6 (uncredited) 00:49 11 - The Committee Pt.7 (uncredited) 02:38 12 - The Committee Pt.8 (uncredited) 03:30 Recorded : London, Sound Techniques Studios, April 1968 Primary source : 'The Committee' film, released 1968 Source for the tree : 1st gen copy from the film The first track of the film was in fact recorded backwards. We inverted this track, so that you can hear the song as it was recorded (track 4). Track 5 is the track as it appears in the film. Note that part 7 is an early version of 'Careful With That Axe, Eugene'. 'More' 13 - Main Theme (Waters, Wright, Gilmour) - film version 03:39 Recorded : London, Sound Techniques Studios, March 1969 Primary source : 'More' film, released 1969 Source for the tree : 'More' video On the film, the slide guitar that can be heard on the regular version was edited out. 14 - Seabirds (Waters) 03:50 Recorded : London, Sound Techniques Studios, March 1969 Primary source : 'More' film, released 1969 Source for the tree : 'More' video This song doesn't appear on the album. 15 - Cymbaline (Waters) - film version 05:18 Recorded : London, Sound Techniques Studios, March 1969 Primary source : 'More' film, released 1969 Source for the tree : 'More' video This version has alternate lyrics, and the vocals are sung in a very different way than on the album ('head voice'). 16 - Hollywood (Gilmour) 00:38 Recorded : London, Sound Techniques Studios, March 1969 Primary source : 'More' film, released 1969 Source for the tree : 'More' video Short instrumental track, not included on the album. CD10 1 - 'More' outtakes 05:42 Recorded : London, Sound Techniques Studios, March 1969 Primary source : BBC broadcast ('Laying Down Tracks'), June 1969 Source for the tree : unknown gen from BBC broadcast This is in fact a documentary about the multi-track recording technique, broadcast by the BBC in June 1969, under the title 'Laying Down Tracks'. One can hear outtakes from the 'More' recording sessions: first, some unreleased instrumental music, then 'Cirrus Minor' and at last the keyboards intro to 'Main Theme'. On some RoIOs, this BBC docmumentary is wrongly referred as being 'The Committee' soundtrack. 'Zabriskie Point' 2 - Heart Beat, Pig Meat (Waters, Gilmour, Mason, Wright) 03:10 Recorded : Rome, November - December 1969 Primary source : 'Zabriskie Point' soundtrack, released 1970 Source for the tree : 'Zabriskie Point - Extended Soundtrack' CD 3 - Heart Beat, Pig Meat (Waters, Gilmour, Mason, Wright) - film version 02:55 Recorded : Rome, November - December 1969 Primary source : 'Zabriskie Point' film, released 1970 Source for the tree : 'Zabriskie Point' LaserDisc Alternate mono mix. Extended intro (before the first organ notes). Sounds and background noises are differently mixed (especially the orchestra snippets). The last part is edited. 4 - Crumbling Land (Waters, Gilmour, Mason, Wright) 04:13 Recorded : Rome, November - December 1969 Primary source : 'Zabriskie Point' soundtrack, released 1970 Source for the tree : 'Zabriskie Point - Extended Soundtrack' CD This song was described by David Gilmour as 'a kind of coun |