| Pink Floyd - Once More In Brighton (LPP) |
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| Notes |
| Recorded at The Dome, Brighton, UK. Very good audience recording. From the info file: 'Once More In Brighton' (LPP) SQ Scale (G+ VG- VG VG+ EX- EX EX+ SUP- SUP) SQ Rating: EX-/VG+ Pink Floyd The Dome Brighton, England June 28th 1972 Source: Return From The Dark Profound (shn) Lineage: Shn > Wav > ACL11 > CDWave > Flac IMO, the sound becomes a little more vibrant during the 1st set and tends to maintain that throughtout. As you can see from the attached pic this source is untouched all the way up. The main problems with it was its speed was slow by more than 5%, two tape flips which had gaps of silence and repeated segments, and it was right channel weighted. A few other things were fixed as well. Notes are in the text file. Disc 1 (44:38) 01. Speak To Me (1:59) 02. Breathe (2:45) 03. On The Run (4:11) 04. Time (6:17) 05. Breathe (Reprise) (1:02) 06. The Great Gig In The Sky (3:31) 07. Money (7:23) 08. Us & Them (7:23) 09. Any Colour You Like (4:34) 10. Brain Damage (3:46) 11. Eclipse (1:43) Disc 2 (61:44) 01. Audience/Tunings (2:36) 02. One Of These Days (7:58) 03. Careful With That Axe Eugene (10:15) 04. Echoes (23:31) 05. Audience/Tunings (3:31) 06. Set The Controls For The Heart Of The Sun (13:52) Total Time (106:22) For Free Trade Only - Not For Sale Little Pieces Production (LPP) Artwork Layout By Little Pieces CD1 Speed corrected -5.1% Repaired tape flip in track07; removed 13 second silent gap and repeated segments and rejoined seamlessly. Increased gain in both channels. Left channel was lower and darker than right. Part of output increase in left channel was achieved by gain increase that varied from ~2-3db at ~1k-5k with parametric EQ. Selectively reduced output at ~170hz by 1-2db. Rolled off bass at 50hz. Moderated some distortions near the end of STM and during transition to Breathe. Also moderated a particularly offensive mic noises near the end of breathe. CD2 Speed corrected -5.1% Increased gain in both channels. Left channel, at times, was lower and darker than right. Part of output increase in left channel was achieved by gain increase of ~2-3db from 800hz-5k with parametric EQ. Reduced a particularly loud mic sounds before track04 Removed 35 second repeated audience segment after tape flip before encore. Rolled off bass at 50hz on some tracks Right channel dropped way off at 42:04 to 43:23; supplemented right channel with left channel until normal level was back. |