Gilmour, David - Royal Albert Hall, London, UK (Remaster) (Metamarc-Rick0725)
 
Album info
 
Recording Date  : 02-10-2015
     
Length  : 154:51
Format  : FLAC
Track List
 
Royal Albert Hall, London, UK (Remaster) (Metamarc-Rick0725) (Disc 1) 66:20
01 Intro - 5 A.M. 03:46
02 Rattle That Lock 05:27
03 Faces Of Stone 07:12
04 Wish You Were Here 05:14
05 A Boat Lies Waiting 04:41
06 The Blue 07:00
07 Money 07:11
08 Us And Them 08:07
09 In Any Tongue 08:01
10 High Hopes 09:41
Royal Albert Hall, London, UK (Remaster) (Metamarc-Rick0725) (Disc 2) 88:31
01 Astronomy Domine 04:59
02 Shine On You Crazy Diamond 10:20
03 Fat Old Sun 06:38
04 Band Introductions 02:11
05 Coming Back To Life 07:08
06 On An Island 07:10
07 The Girl In The Yellow Dress 06:58
08 Today 06:32
09 Sorrow 10:20
10 Run Like Hell 07:53
11 Encore Break 03:02
12 Time - Breathe (Reprise) 06:35
13 Comfortably Numb 08:45

Notes
Recorded at the Royal Albert Hall, London, UK. Excellent audience recording.


From the info files:

DAVID GILMOUR - LONDON RAH 2015-10-02 RICK0725 REMASTER

David Gilmour & Band
Royal Albert Hall, London, England, 2015-10-02

Contrast clause:
This is recorder 1
http://www.dimeadozen.org/torrents-details.php?id=542076


Set List Part 1:

01 Intro - 5 A.M.
02 Rattle That Lock
03 Faces Of Stone
04 Wish You Were Here
05 A Boat Lies Waiting
06 The Blue
07 Money
08 Us And Them
09 In Any Tongue
10 High Hopes

Set List Part 2:

01 Astronomy Domine
02 Shine On You Crazy Diamond
03 Fat Old Sun
04 Band Introductions
05 Coming Back To Life
06 On An Island
07 The Girl In The Yellow Dress
08 Today
09 Sorrow
10 Run Like Hell
11 Encore Break
12 Time - Breathe (Reprise)
13 Comfortably Numb

MD5 and ffp:
Included

Line-Up:
David Gilmour - guitars
Phil Manzanera - guitar, vocals
Guy Pratt - bass
Jon carin - keyboards, guitar, vocals
Joao Mello - Saxophones
Bryan Chambers - vocals
Louise Marshall - vocals
Steve DiStanislao - drums
Kevin McAlea - keyboards

SOURCE: Audience Recording

TAPER: METAMARC

REMASTER LINEAGE
Line Audio CM3 > Tascam DR-40 with Phantom Power > Original WAV Files From Recorder > Processed with Adobe
Audition 3.01, 2015.1 CC and iZotope Ozone 5 and 7 > Trader's Little Helper FLAC 8 > shared files.


REMASTERING NOTES
The original recorder did a fantastic job recording the concert. The mics used were incredible. They brought out
the nuances in the music, ambience in the room, and did a wonderful job with crowd noise and clapping. So why bother
reworking a great sounding recording. Experimentation and improving processing skills.

The process for this rework was to create a frequency spectrum snapshot captured from a pro recorded Pink Floyd source and apply
it to an audience recording. I have been experimenting with the process for over a year. Trying various settings in the software,
capturing several sources, and determining which snapshot fits best to reshape the EQ of the audience recording. The eq matched file
is then processed with parametric EQ to clean up the rough spots.

The key during the entire process is to listen using professional studio monitors. I recently purchased a pair of JBL Professional
studio monitors. Makes a big difference during the tweaking process. I decided not to use compression and volume maximizing for this project.

WORK FLOW
Original WAV files from the recorder for set 1 and set 2 are loaded into Adobe Audition 2015 CC
Original files are converted to 48000 hz 32 bit
DC Offset was corrected for each file
Sets 1 and 2 are volume matched to -21 LUFS
Edited the files, added song markers, and song titles
Created and saved several EQ snapshots from a few different Pink Floyd sources including 'hybrid' snapshots from 2 sources.
For this project used a hybid EQ snapshot from The Wall Immersion Box Set with a Stevie Wonder blu ray 48000 24 bit concert soundtrack.
(Also tried and compared Eq snapshots from The Endless River, David Gilmour Royal Albert Hall Blu Ray, Rattle That Lock Blu Ray audio, et.)
Created and saved separate EQ snapshots for sets 1 and 2

Audition CC 2015.1 Effects Rack - set 1 and set 2 are processed separately
Ozone 5 EQ matching plugin - Selected parameters for the EQ snapshot from the pro source to the audience recorded EQ snapshots
Automatic Phase Correction - Auto Align Channels and Auto Center Panning
Process and save Eq matched files

Process parametric EQ where necessary - Audition 3, Audition 2015.1 CC, and Ozone 7
Automatic Click Remover, Audition 2015.1 - Heavy Reduction Preset - Process clapping spikes
Applied fades
Increased volume to -18 LUFS
Processed Dither, Ozone 7 MBIT + Dither - 16 bit, Medium Dither Amount, Higher Noise Shaping settings
Converted files to 44100 hz 16 bit - Audition 2015.1 CC
Exported the WAV audio within the markers
Converted the WAV files to FLAC


Notes from original taper:

If you find this recording enjoyable please support the artists and buy their stuff at http://www.davidgilmour.com

Nice show that I had the pleasure of attending with my nephew Nick who's living and working in London.
Nice show indeed, quite loud as far as the second set is concerned. I did record with two mics: this one and the
Church CA-11 (not sure if I will upload the other recording, if someone wants to attempt a matrix get in touch with me).
The gentleman sitting next to us in our box (!) turned out an idiot at the end of the show trying to impress his wife
with some impromptu-drumming on the backrest in front of us...but it's not too disturbing (at least in my ears).

No mp3's from this upload, never, nowhere!!! Please don't alter the info file in case of uploads to other torrent sites.
Give credit to all the tapers out there when uploading their work onto other trackers. Share the gift of music.

Enjoy the music!

RICK0725 12/12/2015